Vol 47, No 2-3 (2019)

Table of Contents

Reports, News, Essays / Rapports, nouvelles, essais

Message from the President / Message du président
Houman Behzadi
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Call for applications: CAML Review editorial positions / Appel de mise en candidature : Revue de l’ACBM, postes au sein de l’équipe de rédaction
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CAML Conference 2019: Program and Abstracts / Congrès de l'ACBM 2019 : Programme du congrès et résumés de communications
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Cataloguing Committee: Annual Report at CAML 2019
Daniel Paradis
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Minutes of the 2018 CAML/ACBM Annual General Meeting
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Stu Davis: Canada’s Cowboy Troubadour
Brock Silversides
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Reviews / Comptes rendus

Analytical Essays on Music by Women Composers: Secular and Sacred Music to 1900 – edited by Laurel Parsons and Brenda Ravenscroft (Book review)
Roxane Prevost
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Classical Music: Expect the Unexpected – by Kent Nagano with Inge Kloepfer (Book review)
Elaine Keillor
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Buffy Sainte-Marie: The Authorized Biography – by Andrea Warner (Book review)
Monique Giroux
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Debussy’s Resonance – edited by François de Médicis and Steven Huebner (Book review)
Edward Jurkowski
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From Scratch: Writings in Music Theory – by James Tenney (Book review) /
Lelland Reed
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Lire, écouter, écrire : Initiation à la recherche en musique à partir des méthodes des sciences humaines – de Marie-Hélène Benoit-Otis (compte rendu)
Tristan Paré-Morin
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The Pop Palimpsest: Intertextuality in Recorded Popular Music – edited by Lori Burns and Serge Lacasse (Book review)
Stephanie Bonjack
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Research-Creation in Music and the Arts: Towards a Collaborative Interdiscipline – by Sophie Stévance and Serge Lacasse (Book review)
Allyson Rogers
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They Shot, He Scored: The Life and Music of Eldon Rathburn – by James K. Wright (Book review)
Michael Pinsonneault
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Print Copy

Complete issue
 
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